Stop Motion Production

Here is what we have to work with. We set up stop-motion production for projects in Belgium, connecting shoots with animators, model makers, set builders and the studio space and camera rigs that frame-by-frame animation needs. Stop-motion is painstaking work — each frame is shot individually, with puppets, models or objects adjusted incrementally — and it demands precise, repeatable camera control, stable lighting and careful scene matching. Our teams handle the tech setup. This includes motion-control rigs for moving shots, frame-grabbing software and the dedicated studio setting that a stop-motion shoot needs over its long schedule.

Here is how that works. Belgium has a strong animation tradition. The country's animation studios and trained craftspeople give stop-motion projects access to skilled model makers and animators. Our crews work in Dutch, French and English, and we brief shoots on realistic timelines, since stop-motion is measured in seconds of finished footage per day rather than minutes.

Here is the layout. Belgium's strength in stop-motion and animation reflects a deep creative ecosystem. The country has a well-set up animation sector — studios working across feature animation, series and commercials — and the Belgian Tax Shelter, a tax-incentive investment mechanism, has made Belgium a major destination for animation and VFX finishing, supporting the studio infrastructure and the talent base. Regional funds. Screen Flanders and the VAF in Flanders, Wallimage in Wallonia, screen.brussels in the capital — actively support animation production, and the INSAS and RITCS film schools in Brussels, alongside the country's dedicated animation programmes, train animators and model makers. The euro is the working currency and VAT is 21%. For shoots weighing where to place an animation project, our team explains how the Tax Shelter and the regional funds apply to qualifying stop-motion spend and sets up the studio, crews and post pipeline so the production runs to plan.