Post-Production Audio

Here is how the picture comes together. We set up post-prod audio for shoots wrapping in Belgium, connecting projects with editors, sound designers, Foley artists, ADR sites and re-recording mixers. Our network covers the full chain — dialogue editing and cleanup, sound design and effects, Foley recording, music integration and the final mix to broadcast, cinema and streaming delivery standards. Belgium's audio post sites work fluently across Dutch, French and English. This is key for a country that delivers shoots in many languages and serves global clients.

Here is how that works. We brief shoots on the workflow from the moment location recording is delivered. We set up ADR sessions, making sure talent and sites align with the schedule. Whether the project is a feature film, a series, a documentary or a commercial campaign, our team scales the post-audio package to the deliverables and works with the picture edit so sound post integrates cleanly with the rest of finishing.

Belgium's strength in post-prod audio is a direct result of the Belgian Tax Shelter, a tax-incentive investment mechanism that has made the country a major destination for global post and VFX finishing. Many shoots shoot elsewhere and bring their post — including audio — to Belgium to qualify for the incentive. The country has built deep finishing infrastructure as a result. The post sector sits alongside a strong VFX and animation cluster. Regional funds such as Screen Flanders, the VAF, Wallimage and screen.brussels reinforce it.

In practice, the work is hands-on. The INSAS and RITCS film schools in Brussels train sound editors and mixers, sustaining the talent base. The euro is the working currency and VAT is charged at 21%. For shoots weighing where to finish, our team explains how the Tax Shelter applies to qualifying audio post spend and sets up the sites and schedule so the sound mix is delivered on time and to specs.