Title Design & Credits

Here is how the picture comes together. We design and animate main titles, opening sequences and end-credit rolls that set up tone and close a production with polish. Our team develops title concepts that reflect a film's identity, animates main-title sequences and builds the formatted, accurate end-credit rolls that contractual and guild duties need. Credit work is exacting: names, roles, spelling and order must be correct, and we manage credit lists with care through revisions to final lock.

Here is how that works. Belgium's multilingual structure means titles and credits are frequently produced in Dutch, French and English, and we build versioned sequences so each market receives correctly localised text. We set up with editorial and finishing so titles integrate cleanly with the locked cut. We deliver sequences conformed to the resolution, color space and tech specs a Belgian theatrical, broadcast or streaming release needs.

Here is what we have to work with. Belgium's Tax Shelter has built a deep post cluster. Title design sits within sites in Brussels, Ghent and Antwerp that handle the full finishing pipeline for Belgian and overseas shoots. The country's strong design and typographic culture, rooted in a celebrated illustration and comics heritage — the tradition of the 'ninth art' associated with Hergé — informs a confident way to title craft.

Here is the layout. In practice, the work is hands-on. Belgian features that have travelled the global festival and awards circuit, from the Dardenne brothers to Lukas Dhont's 'Close' and Felix van Groeningen's 'The Broken Circle Breakdown', carry titles and credits prepared to global delivery standards. Festival deliverables for Film Fest Gent. The Brussels International Fantastic Film Festival demand accurate, correctly versioned credits. Title sequences and credit projects are archived so re-versioning and area-specific re-deliveries proceed from a verified source.